Last Friday the National Library of
Uganda was celebrating World Book and Copyright Day (which actually falls on Monday, I believe). In the morning, they allowed early arrivals
to select a free book from a pile of assorted popular fiction. I wound up with Clive Cussler’s Black Wind. I was hoping to make it back for the
afternoon celebration, which involved readings, a play put on by the students
at the Buganda Road Primary School (I hear their recitations every morning, for
they are located just across the street from the Library), and a demonstration
of an E-Book. Unfortunately, an
appointment at the Uganda Wildlife Authority ran a bit long and so I missed it.
I imagine that it was quite nice. In fact, it seems that any event or
celebration dealing with the appreciation of books is a nice thing, and it was
good to see an institution that is clearly cash-strapped and under-appreciated
trying to get the public reading. I read
Black Wind that evening (yes, this is
what nerds do with their Friday nights), and couldn’t decide whether I’d read
it before or whether its familiarity stemmed from the fact that so many of
Cussler’s novels are just like one another.
The largesse of the National Library
aside, I’ve been doing most of my pleasure reading on my kindle (an infernally
useful device, but one which also aggrieves me). One effect of this is that I’ve been reading
loads of collections, which tend to be very cheap if not free to download. In Cambridge during the fall it was the
Sherlock Holmes collection. Since
arriving in East Africa I’ve been reading Agatha Christie, P G Wodehouse, Zane
Gray, Mark Twain, and H Rider Haggard. In
the interests of preserving my little remaining sanity, I do not, obviously,
read these collections straight through, but rather alternate. Nonetheless, I’m struck by how formulaic many
of the stories get.
Christie’s Belgian detective, Hercule
Poirot, is infuriatingly smug, and you can tell by what he’s doing with his
luxuriant moustaches how close he is to solving the case. His companion, Hastings, is a brilliant foil,
being a rather slow and stupid Englishman who has a knack for getting on the
wrong scent and being blindsided by the nice twist that inevitably accompanies
the resolution of each mystery.
Wodehouse is another author fond of
twists (albeit sometimes rather predictable ones). I’ve been reading his short stories, and
they’re about as corny as it gets.
Nonetheless, I have to confess a certain fondness for them, because
they’re all so nice. And they have happy endings. In Poirot’s world, there are forever bodies
falling out of closets and wealthy elderly relations succumbing to gruesome
poisonings. Not so in Wodehouse’s
England, where everything inevitably comes right in the end. There’s something comforting about the happy
couples who go strolling off into the sunset, or the dumbfounded heir who
suddenly finds his or her life fortunes reversed.
If you tire of efforts at clever
surprise endings, Zane Gray is the man for you.
Like the weather-beaten and craggy characters who populate his pages, he
eschews any sort of subterfuge, and you can rest pretty easily, before even
opening the book (or switching on the Kindle), in the knowledge that the hero
will come out on top at the end, shoot the bad guy (unless he’s promised the
girl that he won’t, in which case his partner obliges him), and get the
girl. If a character says he’s going to
do X, he will. If he tells the girl
it’ll be all right in the end, it will be.
I enjoy not just the stories, but the fact that I have no trouble
putting the book down and switching off the light part-way through, safe in the
knowledge that no one important is going to be killed off.
H Rider Haggard is a bit more
indiscriminately sanguinary, but at least the people he kills off all die
splendidly noble deaths (not my cup of tea, but seems that the Victorians were
into that sort of thing, so all the more power to them I suppose...). His characters are largely sexist and racist
pigs (though quite charming in their way), so depending on your disposition,
you could as easily root for the baddies as for Quatermain and Company.
The Mark Twain stories I’ve been reading
are also episodic, and for good for reading over lunch, or for a few minutes
before bedtime. If I eat alone at
lunch-time, I generally take out my Kindle, and I suspect I’m developing a
reputation as a slightly mental mzungu as
I sit and chuckle over Twain’s wonderful stories (it was more than a chuckle
reading his rather abbreviated Autobiography
last week), looking for all the world like a happily absorbed idiot.
In the pipeline are a Jack London
collection, the latest several novels in Laurie R King’s Sherlock Holmes-Mary
Russell series which I have got unaccountably behind on, a couple of Nelson
DeMille’s, Utopia, and a Voltaire
anthology. Plenty to keep me busy on
rainy Sundays in Kampala.
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